Michi Online No. 4 / Fall 2000  
30
Ann Kameoka and H. E. Davey: Excerpt from The Japanese Way of the Flower

In a manner of speaking, wabi is the dignity of artlessness and even deformity. When this artless, undeveloped elegance is coupled with a certain uncultured antiquity or even the illusion of this ancient attribute, Japanese artists use the term "sabi" (literally "solitude" or "lonesomeness") to describe it. In particular instances, it can also indicate an effortless quality. (Like the term "wabi," it is impossible to characterize "sabi" directly. It can only be found through genuine training in one of Japan's cultural arts.) Despite difficulties of definition, we offer the following working interpretation of sabi: it is not merely "aloneness." It is an embracing of solitariness, a relaxed and serene satisfaction in being solitary. An evening spent trapped by a torrential rain, alone in a cottage in the woods, enjoying the charged stillness and a favorite book by a woodstove--that verges upon the sensation of sabi.

Balanced imbalance, simplicity, artlessness, solitude, great age--all of these relate to wabi and sabi, which in turn are associated with the word shibumi (elegance) and the related term shibui (elegant). Shibumi connotes something astringent in taste, while shibui hints at that which is natural or dignified. In kado, a flower arrangement possesess the quality of shibumi when it creates a sensation of coolness during a scorching summer and warmth on a frigid day. Shibumi is quiet in elegance, gentle and satisfying in a manner that is not shaped exclusively by reasoning. It is the condition of being "not too much," and exemplifies artistic restraint in the highest sense.

Shibui describes the condition of being not gaudy (in color, for instance), but ample in quality. Unpolished silver or gold and the hue of ashes or bran can bring about a restrained yet finished and peaceful shibui effect. The subdued color scheme of an older woman's kimono, the spare arrangement of a Japanese guestroom, the simple clothing and implements in the tea ceremony--all can be described as shibui.

Wabi, sabi, shibumi, and shibui are traditional Japanese aesthetic concepts that we have combined for the sake of convenience under the general heading of artlessness. These ideas are most definitely presented in this book in a Japanese framework, but at their deepest level they touch something universal in the human heart that can relate to people of all cultures.

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